Newsletter 28th of April: Podcasts – Where the Action is in 2021
28 April 2021
The podcast industry has been the centre of attention for analysts some time already. Now, much points at 2021 as the year when the battle for the podcast market will reach its climax. Not only because the Swedish King is doing his first appearance in the medium (!) – but also because of the strong push by basically all actors in the audio field. In addition, both podcast creators and distributors are working towards a market where consumers – and not only advertisers – pay for podcasts.
In the Nordics, approximately 3 million people (equivalent to 15% of the population 15–74-year-olds) listen to podcasts an average day, according to Mediavision’s Q1 figures. Spotify and Apple are two of the main actors on this market. Among those who listen to podcasts an average day, 37% choose to listen via Spotify while 20% choose to listen via Apple Podcasts. Public Service (YLE, DR, NRK and SR) is the third most popular platform for podcast listening in the Nordics.
So, what are the latest developments in the industry?
Let us start off with Spotify that Wednesday reported its Q1 earnings and results – mostly in line with expectations. The highlight of Spotify’s Q1 came from premium subscriptions, which increased by 21% YOY to a total of 158 million. Comparing quarter-on-quarter, Spotify added almost 4 million new premium subscribers in Q1, an increase of 2%. Spotify stated that these results were within the range of expectations given the outperformance in Q4 and the continued impact from COVID-19.
Spotify also gave an update on the podcast area. At the end of Q1, Spotify had more than 2.6 million podcasts on their platform – up about 400’ from last quarter. Ahead of its Q1 report, Spotify announced plans to launch a ‘paid podcast platform’, which allows podcasters to mark select episodes as subscriber-only content, then publish them to Spotify and other platforms via Spotify’s podcast creation tool Anchor. Spotify will not charge podcasters, but 100% of the earnings will go to the creator. For the time being, this deal is only available to creators in the U.S., but with the aim is to expand internationally in the months ahead.
Moving on to Spotify’s prime competitor, Apple, it hosted its ‘Spring Loaded’ event last week. Apart from several hardware news, Apple announced that from May, it will allow podcast publishers in 170 regions to sell subscriptions to individual shows or groups of shows. Price will be set by the creator, but there is one major difference to Spotify’s creator offering. Apple will take a 30% cut of any subscription revenue generated within the first year on the platform – dropping to 15% after the first year. In addition, podcasters will pay USD 19.99 a year to enable subscriptions. Apple will not require podcasters to create Apple-only exclusive shows, but it does want creators to distinguish between content that is already distributed via Apple and content available on other platforms.
Further, rumours have (again) surfaced that Swedish company Acast will be listed on the stock market with a market valuation possibly surpassing SEK 5 billion. IPO aside, Acast has been busy with new ventures – this autumn a partnership was formed with Patreon regarding charging possibilities for podcast creators, in February news surfaced about their purchase of the American podcast company Radio Public, and recently, an updated version of Acast+ was launched.
Further, Amazon recently made podcasts available for streaming via Amazon Music in India and Spain. Content includes popular podcasts such as Mindfacts and TED in Spanish, in addition to new original shows produced exclusively for Amazon Music. Could this be the next step in the establishment in the Nordics? Also, Facebook upped its audio-game last week with the introduction of live audio rooms, a feature with striking resemblance to Clubhouse, as well as a new collaboration with Spotify on a miniplayer that streams Spotify directly from the Facebook app.
All in all, we could say that the podcast war is well on its way to be just as heated as the much-debated streaming war of video. Mediavision will keep you updated on the latest battles – with our Nordic Audio Analysis shortly to be released.
Alphabet Reports Strong Q1
Google and YouTube’s parent company Alphabet reported an increase in revenue by 34% in Q1 2021. YouTube advertising revenue grew nearly 50% YOY. Also, Google’s revenue grew, by 34% YOY.
Quibi Content Rebranded as Roku Originals
Last January, Roku acquired most of the programming from Quibi as the start-up service was discontinued. Now, these shows have been rebranded as Roku Originals.
NENT & Bundesliga in Historic Deal
In a historic two-cycle agreement that stretches to 2029, NENT has acquired the rights to Bundesliga in nine markets; Sweden, Norway, Denmark, Finland, Iceland, Estonia, Latvia, Lithuania and Poland.
Premier League Ponders UK Rights Rollover
The planned auction of Premier League rights in the UK could be cancelled in favour of the current contract with Sky, BT and Amazon Prime Video being extended. Premier League believes a private sale might serve to maintain price levels.
Facebook Scored First Oscar
For the first time, a film produced by Facebook won an Oscar. The 25-minute film Colette, made by Fakebook’s Oculus virtual-reality group and video game company EA’s Respawn Entertainment scored best short documentary.
‘Druk’ Scored Oscar for Best International Film
The Danish film ‘Druk’ (Another Round) scored Best International Film at the Oscars. Director Thomas Vinterberg scored Denmark’s first win in this category since Susanne Bier’s ‘Revenge’ won in 2017.
Global OTT Revenues to Double to 2026
A new study by Digital TV research suggests that the massive surge in streaming is set to persist, causing global OTT revenues to reach USD 210 billion in 2026. This means a doubling from USD 106 billion in 2020.
Mediavision Press Releases
Tufft för Spotify att gå från prat till pengar
Spotify börjar göra vinst, men tillväxten tappar fart. Frågan är: Om musik inte kan motivera den skyhöga värderingen, kan satsningen på poddar rädda börskursen?
Amazon Prime Video launching a Nordic service
Although Amazon Prime Video has been available to the Nordic households for over four years, it has not been able to compete with the other US based SVOD brands, nor with the local ones.
Kampen om de yngre tittarna - Sommarskuggan och Agenterna slår de flesta på fingrarna
Barnen är framtiden, säger man. Särskilt så för globala streamingtjänster som strösslar pengar omkring sig för att locka tittare med nytt innehåll.
Børnefamilier leder an på det svenske streamingmarked
I svenske hustande med børn bruger man 90 pct. mere på streamingtjenester hver måned end i husholdninger uden børn. Forskellen beløber sig til flere tusinde kroner om året, viser ny analyse.
Netflix-veksten avtar: - Flere som slåss om kundene
De ferske kvartalstallene til strømmetjenesten Netflix viser at selskapet kun fikk fire millioner nye abonnenter i første kvartal. Strømme-tjenesten Netflix fikk fire millioner nye abonnenter i første kvartal.
Netflix växer blygsamt i Norden – konkurrensen oroar inför rapport
Streamingtjänsterna såg sin guldålder under 2020 men nu hopas orosmolnen över bolagen. Marknadsledaren Netflix väntas bjuda på en ljummen rapport för det första kvartalet.
Sweden: Families prefer Disney+ over Netflix
The launch of Disney+ in 2020 fundamentally changed the competitive landscape for streaming in Sweden in many ways – but perhaps most notably in the battle over families with young children.
Netflix likely to report 5% Q1 Nordic subscriber growth vs 8% market growth rate
Swedish consultancy Mediavision says it predicts that Netflix will report a 5 percent increase in Nordic customers for the first quarter of 2021, or a rise of 200,000 subscribing households since Q1 2020.
Så mycket mer pengar lägger hushåll med barn på streamingtjänster
Barnhushåll konsumerar i högre grad streamingtjänster än hushåll utan barn, visar Mediavisions analys för streamingmarknaden under första kvartalet.
”Om ett år finns vi i större delen av Europa”
På Sesamy är man nöjda med lanseringen. Nu är målet att skala upp.
– Förlagen gillar oss, och att någon tänker och gör annorlunda, säger Måns Ulvestam, en av sajtens grundare.
Nordic families preferring Disney+ over Netflix
New analysis by Stockholm-based consultancy Mediavision has found Disney+ already has a “very strong” position among families with children.
MWC Barcelona: 28 June – 1 July 2021, Barcelona, Spain
Série Series: 30 June-2 July 2021, Fontainebleau, France
Cannes Film Festival: 6-17 July 2021, Cannes France
NEM: 6-9 September 2021, Dubrovnik, Croatia (new dates)
IBC: 10-13 September 2021 (or 3-6 December 2021), Amsterdam, Netherlands
MIP Junior: 9-10 October 2021, Cannes, France
Cannes Series: 9-14 October 2021, Cannes, France
MIPCOM: 11-14 October, Cannes, France
*Mediavision will attend
**Mediavision will present